Every pocket painting starts the same way for me. A little blank canvas, a flat coat of color, and a whole lot of patience while it dries.
This one was a Gengar. I laid down orange and blue grounds first, then blocked in the silhouette in a solid deep purple so I could feel the shape before a single detail went in. Once that shape felt mischievous enough, the grin and those red eyes basically painted themselves.
Grounds and silhouette
Finished on the easel
Small canvas, big attitude.
Tiny canvases keep me honest. There is nowhere to hide a lazy line when the whole piece fits in your hand.










